Tag: Innovation

The 2019 CES Preview – Everything B2B Businesses Need to Know

Posted on by admin

Every January, over 180,000 people converge on Las Vegas to place their bets on the coolest and potentially coveted gadgets the world has yet to see. The 2019 CES promises to be “the world’s gathering place for all who thrive on the business of consumer technologies.” It’s a can’t-miss conference for marketers and business professionals from all industries — even those in the B2B space.

On this episode of Renegade Thinkers Unite, Drew talks with Shelly Palmer, CEO of The Palmer Group, about what attendees can expect and look for at the 2019 conference. You’ll hear about why B2B professionals owe it to themselves and their clients to learn what is up-and-coming, as well as why attendance ROIs are so individualized. Be sure to listen to catch Shelly’s expert insights on new sub-conferences at the 2019 CES and how you can make the most out of this major networking experience.

Get up to speed on the upcoming 2019 CES – listen now.

                 Subscribe on Apple Podcasts – Stitcher – or Podsearch

What You’ll Learn

Here’s what you can expect at the 2019 CES

Shelly explains that CES has been a proving ground for new technologies for the past 50 years. Not only will attendees catch inside glimpses into brand-new technologies already on the market, but they’ll be able to understand what’s coming in 18, 24, and even 36 months. He says it’s a “unique crystal ball into the future,” and allows you and your team to begin building new technological opportunities into your own business plans.

Networking opportunities and big-picture dreaming will be abundant in January


Virtually all aspects of modern businesses are influenced by technology. Shelly tells Drew that even giant corporations have individuals on the receiving ends of B2B sales calls, and those individuals use everyday technologies that are featured at CES. That’s why even B2B professionals have countless opportunities to add value to their companies and careers by attending the 2019 CES.

Simply reading about CES after the fact won’t give you the full scope. To truly understand the importance of this event, you have to experience it for yourself. No longer just an “electronics show,” Shelly believes that the 2019 CES is truly a “business show.” Drew, Shelly, and hundreds of other industry leaders will be at 2019 CES – will you?

“Resiliency” will be a new focus at the 2019 CES, and it’s an area of innovation that deserves your attention

One business and marketing trend you need to be aware of is “resiliency,” explained by the Consumer Technology Association (owner and producer of the CES) as the ability to “keep the world healthy, safe, warm, powered, fed and secure, even in the face of adversity.” Innovations that will help restore power and cell service to disaster-riddles areas, for example, will be featured at this sub-conference event. “The Resilience Conference will deliver world-class conference programming, insights, and solutions,” says a recent CTA press release. In order to be informed and responsible global citizens, marketers can’t afford to miss this event.

B2B and B2C marketers alike will have dozens of opportunities at the 2019 CES to expand their network, brainstorm with like-minded professionals, and plan for the future. For more information on 2019 CES and to register, visit the conference website.

Timeline

  • [0:28] This year’s CES conference is not you can’t afford to miss
  • [7:27] B2B people need to attend the CES event too!
  • [13:34] Here’s what you need to look for specifically at this year’s CES event – and what not to believe
  • [21:44] “Retargeting is evil, but it works beautifully!”
  • [26:14] Shelly transformed his family-owned consulting business into a global entity that does “engineering for engineers”
  • [33:00] “Resilience” will be a new focus at the 2019 CES
  • [32:28] The ROI on CES is very individualized, but 100% worth it

Connect With Shelly:

Resources & People Mentioned

Connect with Drew

CMO Insights: How the Grammys Became More Than a One Night Affair

Posted on by Drew Neisser

The Grammys have brought us some of the best moments in television, and the most spectacular performances in music. From Michael Jackson’s moonwalk across the stage in ’88 to the Elton John and Eminem duet in ’01, and most recently Lady Gaga’s tribute to David Bowie, the Grammys have been the place for historical moments in music. And if you’re like me, you brim with excitement before the show, and are unable to stop rehashing the night’s best moments for days after. One night a year, the telecast captivates people around the world and easily dominates the conversation on social. However, is the show on your mind for other 364 days? Well, I spoke with Evan Greene, a friend of mine and CMO of the Recording Academy, to hear how his team approaches the challenge of marketing a show that airs one night per year. Key words here: social, social, and more social.

Drew: What does your marketing purview include?

Evan: I can tell you that anything that touches the Grammy brand ultimately runs through the marketing area, whether it’s marketing and brand strategy, PR, social media, digital content and yes, partner strategy. We represent the biggest brand in music, and for other brands, there is value in aligning with us. We partnered with other brands to utilize the impact and the marketing reach of brands that are complementary to our own. Also, we are a 501(C) 6, a not-for-profit trade organization, and this affects our marketing strategy.

Drew: How does it affect your marketing partnerships, specifically?

Evan: We put together marketing partnerships so that we can leverage the impact of the Grammys, which is unparalleled in terms of credibility and prestige. On the flipside, the value that partners bring to the table opens up other marketing channels. Now, because of the prestige of our brand, there is a value associated which means there still needs to be an economic model in place.

Drew: Was there partner integration for Lady Gaga’s performance? Did Intel do the projection?

Evan: Yes. This was the first time when we partnered with a company to actually help us enhance the performance. If you notice, there was no Intel visibility or attribution on the telecast because we wanted it to be subtle. We focused on making the performance memorable, something that people would be talking about for a long time. At the end of the day, Intel received a tremendous amount of credit and earned media.

Drew: And with that comes months of hard work and constant communication between Intel and the Grammys.

Evan: Yes, there was a lot of heavy lifting and coordination. We put something together that had never been done before. There were things that happened on the Grammy stage from a technology standpoint that have never been put on television. It really was the next generation of Grammy moments, right before our eyes.

Drew: Every year, you challenge your agency to do some new things. Let’s talk about the new things that you did this year in terms of marketing and social.

Evan: This year we started thinking about the inspirational power of music and the intersection between music and sports. Sports came in because it was SuperBowl 50 and it ran on CBS, eight days prior to the Grammy Awards, which created an extraordinary opportunity to bring the two together. We engaged our agency of record, Chiat/Day, which in my opinion is one of the best shops on the planet.

Drew: How was the concept further developed?

Evan: We started from the standpoint of how do we celebrate sports and music. How do we align the best in music with the best in sports, globally? What came out of that was a powerful tagline, called “Witness Greatness.” We looked at the music that inspires the athletes who in turn inspire the world. “Witness Greatness” really is about the inspirational power of music, and we could apply that in a number of ways.

Drew: So you were able to move beyond just the “Witness Greatness” tagline?

Evan: Yes, it was not only the theme and tagline, but also the visual representation and how we applied it. We then applied the theme to social and made sure that any visual we associated with represented greatness. We made sure to elevate that conversation whenever and wherever possible.

Drew: How did your team focus on the witness portion of “Witness Greatness”?

Evan: We have a companion stream, sort of a shoulder programming experience called “Grammy Live.” It shows different angles and elements, not necessarily the telecast itself, but it shows backstage etc. This year, we inserted a camera inside the base of the Grammy statute so that we could actually witness greatness in a different way-from the position in the POV of the statue itself. We got some great footage and content that had never been captured before. 

Drew: After the Grammy team fully adopts the theme, I’m guessing the next step is for the media to pick it up?

Evan: Yes, and was amazing when the media starts quoting our taglines, and when other members of our social ecosystem started organically using the “Witness Greatness” hashtag. When I think about all the touch points, from those doing social to the persons pitching media stories, to our marketing partners, there is a consistent look and feel across the board.

Drew: Any favorite projects from the “Witness Greatness” theme?

Evan: There were a couple of components that I found particularly exciting. If you go on our YouTube page, youtube.com/thegrammys, there is a video that we did with Kendrick Lamar in his hometown of Compton. We went on the street, and asked people to sing a couple of lines from his song Alright, which has become sort of an anthem over the past year. We created a video of all of these individuals singing particular lines of the song, and at the end, it culminated with an impromptu performance and the tagline was “Greatness Comes From Everywhere.” This served as a drive to the Grammys. 

Drew: I know the Grammys has worked with user-generated content in the past. Can you give an example of how you used UGC in past seasons?

Evan: Several years ago, we had a campaign called “We’re All Fans,” and it underscored the idea that what makes an artist great are the fans. With that in mind, we invited fans to upload videos of themselves and become part of the campaign. That was probably the most organic example that we had. People actually got to see themselves as part of the national Grammy campaigns, creating mosaics of Lady Gaga and other global superstar artists.

Drew: How was UGC executed for this Grammy season?

Evan: The idea really drives the execution. This year, our campaign was about creating the conversation, engaging with fans and having them share what about their favorite artists represents ‘Greatness.’ So in terms of UGC, we didn’t invite video submissions this time around, but we focused on having respectful dialog with our fans and followers about inspiration and greatness.

Drew: The reviews have been very successful on social. Obviously, you’re at the center of the social media conversation during the show, but you’re still very present months after it aired. How is that even possible?

Evan: I think we’ve been very successful and I am happy with the work of our social team and everybody involved in that effort. I think we can get better, I really do. The core reason for this year-round success is respecting fans and speaking with trust and authenticity.

Drew: What are some of the mistakes you are seeing other organizations make with their social media?

Evan: When communication seems gratuitous, and it is focused purely on making a sale or driving behavior, consumers see right through that. We simply want to be a credible part of the music conversation. When you look at the brands that resonate and break through, it’s the ones that earn your trust. If you speak with authenticity, and you respect your audience, then that becomes the cornerstone of trust. Trust is how you build a long-term relationship.

Drew: Being a nonprofit, how do you allocate the money brought in from the Grammys?

Evan: The money that we make doesn’t go to pay dividends, meet a quota or achieve net profit goals. It’s filtered right back into the music industry so we can create more in-school music programs and empower the next generation of music makers. We give back in a variety of different ways to enhance and srengthen the industry platform that the Recording Academy sits on.

Drew: One of the other things that you’ve done over the years is expand the Grammys from Grammy night to Grammy week. I feel like this was Grammy month. Where are you right now in terms of the scale of the Grammys?

Evan: I think we’ve made a considerable amount of progress over the years, but we still have a ways to go. What has struck me is that we’ve built this massive brand with a tremendous amount of impact by virtue of a single television event held for three-and-a-half hours, one night per year. The marketing opportunity that creates is enormous. If we take a proactive brand management approach, how impactful and powerful a brand could we be if we continue to extend throughout the year?

Drew: What a challenge! How do you rate progress? 

Evan: I think we have expanded the impact of the Grammy as a brand, beyond simply one night per year. I do not believe that we are anywhere close to being there yet where people started thinking about the Grammys as a relevant brand they need to interact with in June, July, and August. But like I said, we’re making progress and there are a number of exciting things on the horizon.

CMO Insights: Putting Innovation to Work – Part 1

Posted on by Drew Neisser

What does it take to get inducted into the CMO Hall of Fame? Infinite curiosity and, apparently, some ecological know-how. Beth Comstock of GE is a rarity in the clan of CMO’s, an innovator who doesn’t try to come up with the ideas herself, a leader who seeks insights from startups and a explorer who thinks “the journey is never done.” Oh and did I mention she works for a company that sells massively complex machines yet as Beth says, “We’re on a real mission to humanize technology.”

In this first part of our interview, we talk about how to leverage trends and the kind of dedication needed to produce big ideas — and big results!

Drew: How important is it to be a leader who comes up with an idea versus having the ability to build out an idea from your team and build a culture where the ideas are sort of percolating and coming up to you?

I think early on in my career I expected that as a leader, a manager of a team, that I was supposed to come up with the ideas, that’s what you did as the team leader. I started realizing that it put a lot of pressure on me. I also started to realize that the ideas actually weren’t that good. I think there is a kind of a humble recognition you get when you are an innovation junkie like me but also just as a leader, that ideating is better when it’s a team sport. I have learned that there are times when you have to go on your own to think through a problem and then there are times when you need other people to react, make it better.

I think my process is that I like to act like a sponge. I think part of my job and just who I am is to immerse myself externally outside of GE for ideas and look for themes and trends. If I see something interesting twice I ask, ‘Is that a coincidence?’ If I see it three times I go, ‘Ah, this is a trend’ and try to draw those lines. I think it’s my job to do that and then bring it back into the organization and say, here’s a thought starter. How can we innovate, ideate around that? So that’s sort of very loosely my process.

Drew: What are some of the hardest sales you’ve had to make or times where you had to be persistent and not take no as an answer?

When I was at NBC, I was trying to pitch what is now the NBC Experience Store. It’s been around for 16 years now and I worked really hard on that one. Bob Wright turned me down many times for a couple reasons. One, the idea just wasn’t ready and he was sending me away to make it better, but also, he was testing my commitment to it. Was I really going to back this idea? So that was a very formative experience for me.

Since starting at GE, I’ve had this passion for digital health and what I think it could mean to GE. Up until recently, I had a hard time articulating it. The space hasn’t taken off, and it’s only really been this year that we’ve been able to bring the right forces together as a great team and venture into it. So that’s probably my biggest, longest running example of something that I felt like I was pushing for six years and it’s just now broken through.

Drew: Can you talk about the strategy behind “The Boy Who Beeps” Ad and what message you wanted to send? And in general, do you continue to see television playing an important role in the GE story?

David Lubars who is the creative director of BBDO just had a lot of passion for that ad. I think it means a lot when you’re partnered to real passion and he was very passionate about this for good reason. BBDO has been our agency for 90 years. They just know us so well. In some ways they know us better than we know ourselves, which is why we keep hanging around together.

The Industrial Internet is a very big company strategy and priority. Big data is still confusing, it’s kind of scary and people are not entirely sure what it means when machines talk to other machines. We were trying to send the message that technology is headed toward a good purpose. It’s about the humanity of technology, rather than just getting excited about technology for technology’s stake. We’re on a real mission to humanize technology. Most people can’t see the technology we make, so we have to use a lot of metaphors.

As for the role TV plays in telling GE’s story, I think it depends on the objectives and the business mission for any given campaign or effort. For most of us, I think TV does have a role. With examples like “Boy Who Beeps” or one we did with the Olympics earlier this year, “My Mom Works at GE”, you need the space. TV provides a storytelling grandness with some of these big signature events. We do a lot around these kind of signature efforts and there is room for big storytelling to be done well.

A rule I have observed just in working within the digital space is that the size of these markets gets bigger and slices gets smaller. So TV won’t have the big slice of the audience that it once had, but it doesn’t mean it’s not still important.

Drew: In regards to some of the ideas or innovations that you have been able to bring to bear in the organization, have any of those had an advantage in the sense that the marketing opportunities are baked into the idea?

Yes. I think one of my earliest examples of this and one that I still think stands the test of time was the development of ecomagination. It’s a cute name, but it wasn’t just a cute little effort. It was a very serious intention to align our technology to where the market was going. Our customers wanted more energy efficient technology. We saw that in every industry and in every segment where we do business. So that was a clear opportunity to invest in a certain technology tethered to where the market was going: renewable, clean energy and efficiency. We recognized the need for partnerships that supported that mission, and then to hold ourselves accountable.

To date, we’re tracking about $180 billion of eco-generated sales, billions of dollars of investments in new eco-friendly spaces and a host of partnerships that have made us faster and better. To me, that’s market-based innovation. It’s kind of a glue.

That’s just one of our successful processes. There have been many, many times where that hasn’t worked so well. I’ve given you one example of success but I don’t want to make you think we were nirvana here, because we’re not.

10 Refreshingly Useful Ideas That Also Sell Wine & Beer

Posted on by Drew Neisser

In the world of wine and beer marketing, sexy, clever and or entertaining ads are the headline grabbers. The purpose of this article is to reveal another framework in which the promotional activity of these beverages also provides intrinsic value—an approach we Renegades call “Marketing as Service.” Here are 10 refreshing examples that hopefully will inspire you to bring more utility to your marketing regardless of the product category. (FYI–if this article seems familiar, then you read it first on MediaPost.com).

Packaging that does more than pop

1. Nothing says, “drink me now” like a wine bottle that also doubles as a glass.  Caps off to the folks at Copa Divino or making a re-sealable container called The Copa Glass. Zipz Wine is taking a similarly picnic chic approach and is now available in six-cup-packs at major ballparks.

Copa Glass

2. Heineken has found a way to help its fans light up the night, literally, with its prototype “Ignite” bottles that respond to toasting, drinking and even pulsing music at coolly dim events, the first of which was the Milan Design Fair.

Heineken lights up
Heineken Ignite bottle

3. In a bid to attract millennials away from cocktails and craft beers, Uproot Wines is trying a whole new type of labeling system that describes its “Flavor Palette” with a color coded guides versus traditional grape-type descriptors.

Encouraging social and antisocial media behavior

4.Brazil’s AmBev offered Rio carnival partiers a free train ride home simply by scanning their Antarctica beer and then handing in the can at a specially designed turnstile, simultaneously limiting drunk driving and freeing the grounds from the usual post-revelry rubbish piles. What’s not to love?

5. New Castle Brown, a brand distinguished by ads with attitude, brought its tongue in cheeky approach to Twitter, offering $1 for its first 50,000 followers. While one buck won’t buy brand love, it does start the conversation, one that New Castle can continue online and offline with its new address book (the checks are sent by mail!).

Camera blocker
Norte photo blocker

6. Norte beer recognized that every night out need not be recorded for posterity and thusly created a beer cooler that doubles as a Photoblocker , providing both utility and distinctive on-premise signage.

7. Another clever brand, Sol beer set up a recycling bin for neck ties next to the ones for paper & cans at commuter stations, offering a free beer to anyone who got into the spirit, which I guess we could call “tying one off.”

 

Tie recycle bin
Sol Tie Recycling Bin

Inspiring online, offline and mobile

8. From the savvy folks who created a Book of World Records as a means of inspiring fun pub conversations, comes the Guinness pub finder app, which is another quintessential example of Marketing as Service. The app does exactly what you’d expect helping even Android users find the nearest pints of their beloved Irish dry stout.

9. At a music festival in South Africa, beer sponsor Windhoek delighted attendees by enabling them to order a free beer via their smartphones, which was then promptly delivered via specially designed drones to their GPS-identified location. Now that’s service with a smile.

Beer drone

10. Surrounding brand marketers are a number of apps designed to help connect consumers with the right place or product. The TastingRoom.com offers a personalized wine finder based on your preferences while the TapHunter helps you locate the nearest Craft Beer venue.

Final Note: Admittedly some of these ideas seem more like PR-chasing stunts than genuine efforts to deliver a service of value but hey, you’ve got to start somewhere.  For more thought-provoking ideas, join me for a panel discussion on innovative marketing at the upcoming Wine/Beer Technology Symposium in Napa on June 30th.

CMO Insights: Innovative Marketing

Posted on by Drew Neisser

Geoff CottrillConverse is the creative world’s favorite party guest, which may be why it has so many friends—over 37 million on Facebook, to be exact. Just how did the sneaker brand get so popular? Not by being the life of the party, but by practicing good people skills and good social etiquette, says CMO Geoff Cottrill. Rather than stepping on toes and dominating the social conversation, Converse lets its audience guide the dialog, knowing that the brand belongs to those who wear it. Geoff shared these insights and more with me during this year’s CMO Club Awards, where he won honors for innovation in marketing—and after you read our conversation, you’ll understand why.

Drew: Have you been able to link your innovative marketing activities to the kinds of business metrics favored by CEOs?

We are fortunate to have a massive and loyal following who is willing to post content on our behalf. To know that we have millions of friends on Facebook and hundreds of thousands of photos tagged #Converse on Instagram is humbling. But for us real success is defined by our ability to build meaningful relationships that are true to our core values, spark creativity and inspire advocacy.

Drew: The Converse page currently has more than 37 million likes – one of the top 10 most popular pages on Facebook. How did you build such an active following on social media?  

As a global brand that speaks to personal style and expression, social media presents itself as a natural forum for us to communicate with our consumers. It’s absolutely a focused part of our overall communication efforts but at the same time we understand that we are not leading that communication, nor do we want to. We are a welcomed party guest. We keep it simple.  Be interesting, think creatively, think globally, believe in what we are saying, and take a step back to listen and watch.

Social media is a tremendous vehicle to learn about your consumers, what they like (or don’t like about you), what they are interested in hearing from us, what they’re doing in their lives, and what they are saying to each other. This brand belongs to the people who wear it.

Drew: We love your campaign to support up and coming musicians by giving them free recording time and promoting them via social media. How did you decide to get involved in the music industry?  

One of our goals as a brand is to give back and help inspire a new generation of musicians.  We talked to a lot of musicians and it became apparent that studio time was costly and unaffordable for many emerging artists who had turned to home studios and their bedrooms to record.  By opening Converse Rubber Tracks, it’s a way for us to say thank you to musicians all over who have helped us become the brand we are and to provide a place for new artists to have access to resources they may not be able to afford. It is Converse’s way to invest in the future of music.

Drew: Marketing seems to be getting increasingly complex in terms of ways to spend and ways to monitor. Has it gotten more complex for you and if so, how are you dealing with that complexity?

We don’t see it as being complex because our philosophy hasn’t changed. We strongly believe in building goodwill in communities and creating long-lasting brand ambassadors for the brand. It’s not just about selling sneakers.

Drew: A CMO has a lot of choices in terms of where they invest their time.  What have been your top priorities in the last 12 months?

In the next few seasons, Converse sees a huge potential of opportunities within avenues such as our wholesale accounts and securing key leadership positions with these important retailers through exclusive partnerships and product offerings. Another category with tremendous opportunity is young men and to truly get after the young male consumer from a head-to-toe perspective, encompassing footwear to apparel to accessories. The plan to reach them will be through the re-launch of the CONS segment, targeted specifically to their street culture, sport-inspired lifestyle.

Drew: Have there been any big surprises in terms of what’s worked really well and what hasn’t?

Our consumers are always surprising us! But we see these surprises in a truly positive way because we can always do better and are constantly seeking improvements.

Drew: What’s your perspective on content marketing?   

Our philosophy on content marketing is built on driving meaningful relationships that are true to our core values, spark creativity and inspire advocacy. Whether it’s about showcasing a musician that has just recorded at Converse Rubber Tracks in Brooklyn, a showcase we put on at SXSW, a street art exhibit in Beijing or a Three Artists One Song collaboration – we focus on developing stories that are compelling for our consumers. 

Drew: Converse has been in business since 1908. How do you balance respecting the tradition of the Converse brand with innovative marketing?

Converse has a long history in music. It has been worn on stage by legendary punk bands in the 1970s and adopted by kings of hip-hop, new wave, rockabilly, grunge and others throughout the decades. Musicians and creative people are our core audience, and we need to do everything possible to foster this community. We want to be useful to the community and never take advantage of it or overstep our place. We want to bring cultures together and celebrate music. In other words, we want to be in it, without getting in the way.

Drew: How do you evaluate/measure the success of your marketing?  

We believe that success is not measured in the traditional sense (i.e. ROI).  The number of deep relationships we can foster with the creative community—not media impressions, and content views, measures success for the brand.

Drew: Do you agree with that notion that marketing is everything and everything is marketing?  How do you as a marketer impact the entire customer experience? 

Marketing is not everything and everything [is not marketing] to Converse. It’s has always been the brand’s intention that our products and consumers drive the marketing, not the marketing driving our product. Our approach to the consumer experience is to invest and grow our connections to consumers. As a brand, Converse is on a mission to own “sneakers” and this will be communicated across all our messaging. We want the word “sneakers” to become synonymous with unleashing the creative spirit.

 

CMO Insights: Providing a Meaningful Customer Experience

Posted on by Drew Neisser

Jonathan Becher, CMO of SAP, sees innovation as absolutely mandatory, to be approached by organizations in leaps and bounds rather than baby steps. In his world, ROI means “return on innovation,” and the culture of innovation at SAP is an essential foundation for providing an innovative, meaningful customer experience.  Its little wonder that Jonathan won The CMO Award for Innovation from The CMO Club.  Here’s our interview:

Drew: In your presentation at The CMO Club Summit in April, you mentioned that innovation isn’t a buzz word; it’s an imperative for marketers. Can you explain why innovation is so important, particularly for CMOs?

Jonathan: For all good business leaders, there comes a day when you realize: “what got us here, won’t get us where we need to go.” We all know that the way customers consume information, products, and services has completely changed. It follows that the way we need to engage with customers must also change. However, incremental changes will not be sufficient; we need to innovate the discipline of marketing.

Drew: Real innovation requires organizational change. Can you talk about the changes you made to your marketing organization to institutionalize innovation?

Jonathan: A few years ago, I created a group called “Innovation Marketing.” The charter of that group was to try new things, break rules, make people uncomfortable, and change the status quo. The team generated tons of ideas, many of which were very interesting and impactful. However, it didn’t accomplish what I expected, as we were essentially segregating innovation to one small group. In fact, it created some resistance to change and innovation. We disbanded the group and focused on creating a culture of innovation instead. Now, we highlight efforts throughout marketing that push boundaries and embrace change, even ones that are not completely successful. In some sense, we’re reinforcing our corporate motto of “Run Better” – the quest for relentless improvement.

Drew: Marketing seems to be getting increasingly complex in terms of ways to spend and ways to monitor. Has it gotten more complex for you and, if so, how are you dealing with that complexity?

Jonathan: Luckily for me, I run marketing for a company that specializes in using technology to solve complex business challenges. For example, I have a mobile dashboard where my leadership team and I have real-time visibility into all parts of our marketing business. We can see what’s working and what isn’t, then redeploy resources and budget as necessary.

Drew: Have you been able to link your innovative marketing activities to the kinds of business metrics favored by CEOs?

Jonathan: Innovation is an investment, so you need ROI for it as well. Return on innovation.

We try to run marketing like a business, which means that we need to be able to prioritize between all of our initiatives. From an analytics point of view, we distinguish between the macro view (crunching data on a scale unheard of a few years ago) and the micro view (data equivalent of a focus group).

At the macro level, we apply marketing-mix modeling to get a holistic understanding of marketing performance across channels. We can then tie marketing investments directly to corporate objectives, and reallocate the mix accordingly. Based on this type of analysis, we have shifted unproductive spend to tactics where we have seen higher ROIs.

At the micro level, we’re constantly trying to optimize each interaction with our customers. Whether it’s an outbound marketing campaign, a customer event, or an inquiry on our Web site, we apply statistical analysis to the wealth of information we have about our customers to predict what’s relevant to them and to personalize the engagement. This level of customer-centric targeting, along with a test-learn culture, allows us to measure the effectiveness of everything we do and maximize ROI at the micro level.

Drew: SAP seems to be in the midst of a brand transformation. Can you describe that transformation?

Jonathan: I’m not sure whether you should call it a transformation or a brand expansion. For many years, our approach was talking about how big, successful companies run SAP. You didn’t know what exactly we did for the companies, but you knew we were somehow linked with their success.

Now, we’re taking a much more human approach that’s closely linked to our company mission to “help the world run better and improve people’s lives.” We’re telling stories of how we create value, not only for our customers, but for our customers’ customers. For example, rather than talking about how a big bank benefits from an SAP deployment, we talk about how a man in a very rural area who can’t physically get to a bank is now able to bank on his mobile phone. This access to banking opens up entirely new economic possibilities that weren’t previously an option to this man and improves his life. SAP makes that possible.

It’s not just “business runs SAP”; it’s also “life runs SAP.” You can sum up the change as moving from B2B to P2P – people to people.

Drew: As CMO, have you been able to address the entire customer experience? Were there any organizational challenges you needed to overcome? 

Jonathan: In my view, the customer experience is the responsibility of every single employee at SAP. That said, marketing must be the champion of the overall customer experience across all channels.

While marketing doesn’t own all the customer experience channels, it can help make the experience consistent. For example, we know that, if we invite a group of executives to one of our briefing centers for a day of meetings, we’re obligated to deliver a consistent experience – from the messaging on the invitation to the car ride from the airport, and everything else until our guests are back in the airport to go home.

Marketing doesn’t manage the briefing centers, but we provide counsel to the facilities managers and the sales teams that run the meetings to help them understand the story they want to tell and provide them with the right assets to help them tell that story.